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dc.contributor.authorSherrard, Ruth
dc.date.accessioned2018-02-28T00:55:18Z
dc.date.available2018-02-28T00:55:18Z
dc.date.issued1993
dc.identifier.urihttp://hdl.handle.net/10179/12845
dc.description.abstractWho is alive and who is dead within a literary text is the result of the discretion or point of view of the narrator. The narrator has the power to act as the hand of death to create and destroy as they write characters in or out of the novel. This process is demonstrated through the actions of individual characters. By judgments which come solely from their point of view, they are able to declare other characters dead, while they themselves remain alive. This thesis examines this theme in five of Janet Frame's novels: Owls Do Cry, The Rainbirds, Intensive Care, Daughter Buffalo and The Carpathians.en_US
dc.language.isoenen_US
dc.publisherMassey Universityen_US
dc.rightsThe Authoren_US
dc.subjectFrame, Janeten_US
dc.subjectCriticism and interpretationen_US
dc.titleLiving death : the hand of death in five of Janet Frame's novels : a thesis presented in partial fulfilment of the requirements of Master of Arts in English at Massey Universityen_US
dc.typeThesisen_US
thesis.degree.disciplineEnglishen_US
thesis.degree.grantorMassey Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Arts (M. A.)en_US


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