dc.description.abstract | This research embodies Donna Haraway’s (1991) feminist cyborg as a potent political
figure for women and their bodies in the 21st century West. The violences done to women
all too often define them (Malabou, 2011), confining them to the heterosexual matrix
characterised by their objectification and ‘excesses.’ The multiplicities and pluralities of
‘woman’ disrupt traditional psychological science that counts and categorises. Re-routing
psychology through the hybridity and non-fixity of the science fiction genre, new
possibilities for psychological knowledge production emerge, including figures (such as
cyborgs), art installations and hyperdimensional arachnids through which to think new
thoughts (Haraway, 2016). Through the figure of a feminist cyborg, ‘woman’ can be
understood as politically potent through her multiplicities, partialities, simultaneities and
contradictions. After rendering Haraway’s feminist cyborg through the science fiction
genre, the thesis takes on a creative form to re-think the notion of apocalypse, re-theorise
the uncanny, then explore a potently networked series of figures, internet users and
movements (such as Human Barbies, internet folklore, pro-rape forums) that structure
women’s bodies in ways that re-assert the heterosexual matrix, as well as in ways that re-
build women outside of the heterosexual matrix. Re-figuring ‘woman’ outside of the
heterosexual matrix could perhaps open new spaces in which to think women’s body
politics differently in perpetually networked, ever-expanding technoworlds. | en_US |