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dc.contributor.authorTamaki, Suzanne Kiri
dc.date.accessioned2022-08-29T02:02:36Z
dc.date.available2022-08-29T02:02:36Z
dc.date.issued2021
dc.identifier.urihttp://hdl.handle.net/10179/17518
dc.descriptionCopyright holders may request the removal of copyrighted images by using the Take Down Request link at the bottom of this page.en
dc.description.abstractThis writing explores the effect of colonisation on Māori culture, art and, in particular, my own art practice. It explores the impact on Māori health and wellbeing and how I can address that in art. I investigate my whakapapa inspirations, the mediums that have informed my work, as well as the materials and mechanisms that I use to share the narrative. During my study at Massey we experienced two lockdowns due to Covid, which changed how I created work and how I would present it. I was looking at social media and online platforms with fresh eyes, and new skills. In the past I have collaborated with other Māori artists to show activist work in public spaces while trying to remain safe. With the new body of work, I was able to include humour as a mechanism to diffuse some of the more politically charged issues, and create new personas and voices to share my thoughts and messages.en
dc.language.isoenen
dc.publisherMassey Universityen
dc.rightsThe Authoren
dc.titleFabricating activism : this is a partial fulfilment of the Masters of Fine Arts, Massey Universityen
dc.typeThesisen
thesis.degree.disciplineFine Arten
thesis.degree.grantorMassey Universityen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Art (MFA)en
dc.subject.anzsrc360699 Visual arts not elsewhere classifieden


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